Original woodblock print – Paper i – Utagawa Shigekiyo(?-?) -“Tōkyō Asakusa Kinryū yamanami ni tetsudōbasha han’ei no zu” 東京浅草金竜山並ニ鉄道馬車繁栄之図(Tokyo Asakusa Kinryuzan and Prosperity of Railway Omnibus) – Japan – 1882 (Meiji 15 period)

Description

Original woodblock print – Paper i – Utagawa Shigekiyo(?-?) -“Tōkyō Asakusa Kinryū yamanami ni tetsudōbasha han’ei no zu” 東京浅草金竜山並ニ鉄道馬車繁栄之図(Tokyo Asakusa Kinryuzan and Prosperity of Railway Omnibus) – Japan – 1882 (Meiji 15 period)

Utagawa Shigekiyo is name ‘Eisai shigekiyo e’ 栄斎画” in his signature

Good condition, trimmed margins, centerfold, paper is pasted on the back of the woodblock print and there is a repair.
This ukiyo-e print has cardboard on the back.

(memo)
A disciple of Utagawa Hiroshige. His real surname is Nozawa and his given name is Sadakichi. He used artname Ichieisai(一栄斎), Eisai(栄斎), and Rakusai(楽斎). His painting period was from the Ansei to the Meiji era, and although there were few works in the end of the Edo period, he mainly painted flower and bird paintings and warrior paintings. Although he stopped drawing for a period of time, from 1882, under his real name Sadakichi NOZAWA, he began to draw enlightenment paintings influenced by Hiroshige III, and continued to work until around 1887. there is His Yokohama-e painting “Yokohama Orai” depicts the manners and customs of foreigners on a long, narrow screen consisting of two half-cut horizontal panels.